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| "The movie may seem bewildering, however, because the narrative is
overlaid with a clutter of symbols and ideas. Jodorowsky employs
anything that can give the audience a charge, even if the charges are
drawn from different systems of thought that are -- *as thought* --
incompatible.... Well, of course, you don't need erudition to draw on
matters religious and philosophical that way -- any dabbler can do it.
All you need is a theatrical instinct and a talent for (a word I once
promised myself never to use) frisson. Jodorowsky is... a director for
whom ideas are sensuous entities -- sensuous toys, really, to be
played with. By piling onto the Western man-with-no-name
righteous-avenger form elements from Eastern fables, Catholic
symbolism, and so on, Jodorowsky achieves a kind of comic-strip
mythology. And when you play with ideas this way, promiscuously --
with thoughts and enigmas and with symbols of human suffering -- the
resonances get so thick and confused that the game may seem not just
theatre but labyrinthine, 'deep': a masterpiece."- Pauline Kael |